It's probably worth mentioning the aspects that stood out for me, rather than a critique of the show.
First let's look at the shoes — they are flat. Specifically, Kaiser Karl insisted, the new look is now with flats. It changes proportions totally and is a bit scary. But we all know the power of KL when it comes to shoes — clogs anyone? So we need to get our heads around it now.
Secondly I marveled at the incredible lightness of touch, fabrication, beading and the iridescent shimmer of the entire collection. There is a gentleness about it, without losing the edge. It is fantasy and classic silhouettes in one. How does he do it?
Thirdly one needs to mention the twenties influence — the dropped waists, the bubble evening wear, the straight lines. It feels so right for now — but dare I suggest this is the first of the Boardwalk Empire styling influence? I mean it worked for Mad Men, can we see it happen again?
And finally, the 'jeans'. KL introduced the slim leg trouser/jegging/legging situation into the collection to reflect how women wear it. Not only is this a departure for any designer, but this is Haute Couture — no allowances for real life are usually made. And it is in this that the real scandal lies.
Once again, Karl Lagerfeld for Chanel resets the bar and dazzles us with incredible workmanship and innovative ideas. He is in his 70s now and continues to outshine, outtrend, outdo the younger designers, many of whom have been disappointing so far. I shall resume my worship of him immediately.